Ok, if you read anything more about Grey's Anatomy on this blog, you're welcome to come over and slap me silly. Because that's what I feel like doing to myself for sitting through that season finale. Why did I even watch it? Because I really like Addison, I think she's an excellent character, and fingers crossed that the non-spin-off becomes a spin-off (come on, Shonda, what's with the disingenuousness?), if only so I get to perv on Tim Daly.
But Meredith, Cristina, Izzie, George, Alex, Derek? We are done. DONE! Come on. Meredith whines to Derek about him just going ahead and dumping her and he says he's not going to but she's got to stop running off so she runs off? Though I guess he just gave her permission to do so, so why the hell shouldn't she? Then BURKE runs off? (He may as well keep going, what with the whole faggot comment crap.) Derek turns down the chief's post? The chief accepts that and stays chief, after what he's just gone through with his wife, whose main complaint about him was the time he dedicated to his job? George DOESN'T pass his exam? His wife DOESN'T beat the shit out of Izzy? Oh, and Bailey--BAILEY DOESN'T MAKE CHIEF RESIDENT??? *
(I fail to see how Oprah can say she loves this show yet she thinks romance novels are unrealistic and offer false hope to women.)
I wish this: that Shonda hands over Addison to someone who won't sacrifice her character for some cheap season finale gasps somewhere down the line. I found the L.A. people much more interesting than the Seattle Grace whingers, esp. Amy Brenneman and that cute surfer boy. Get Addison a tan, I say! And get her laid. By Tim Daly.
Okay, maybe I'm just unhinged because it was not a good week in reality TV land. Yau-man, gone. That Dreamz certainly was dreaming if he thought screwing over Yau was going to land him a million bucks. And Melinda, gone. GONE. WHAT IS UP WITH THAT???? Nothing personal against Blake, but come on, REALLY? I was all ready to have a self-righteous fit if I hit the trifecta, but settled down when Laila Ali made it through to the finals of Dancing. I love Laila, especially when she starts her "The CHAMP is here!" talk. Try saying that to yourself when you're feeling low and you'll perk right up. Fake it until you make it, I say.
And continuing with the whole "You watch too much TV" routine (do not!), I'm making an Australian movie DVD for my French office mate. So far, I've got Strictly Ballroom, Priscilla, Muriel's Wedding and Chopper. Strictly and Chopper are 2 of my all-time faves, though I wasn't interested at all when they were first released. Strictly I ended up seeing because I was at loose ends one Sunday afternoon, and found myself in the cinema a few hours later, standing and applauding like the rest of the audience. Chopper was a film my brother said I had to see, so he made me rent the DVD one day and I laughed and laughed until tears ran down my face. What's so funny about a self-confessed stand-over man who cuts off his own ears? Well, no one really knows what Chop did or didn't do (except yeah, cutting off his ears, we know he did that), whether he really killed people or just made everyone think that so they'd keep away from him, and Eric Bana is such a brilliant mimic that you swear it's Chopper speaking. The scene where he shoots Nevil (a.k.a. Nevil fucken Bartos, played to wog perfection by Vince Colosimo) for the second time then takes him to the hospital, while telling the cops he did no such thing because that would defeat the purpose of shooting him in the first place is my favorite, followed closely by the flashing in the bar, with the cop yelling "Fuck's sake, put it away, Chop!"
Chopper Read:
Eric Bana as Chopper Read:

Eric Bana as Eric Bana (much better!):
Yep, you can argue that this film glorifies violence (although anything that Rupert Murdoch and FOX object to can't be that bad, considering their track record--Fox News, anyone?) and Lord knows, with over 30 people killed in the Melbourne underground violence of the last decade, that's not a great thing. But I loved it for how absolutely Australian it was, just as I love the other films for the same reason. There's a level of subversiveness that I connect to, just as there's a recognition of our quirks and foibles. With Strictly, it's more than that--there's a great tenderness in this film, especially with Scott's father. All use very strong Australian accents to ground them and no one's got that Hollywood hair and makeup thing going on--except the boys in Priscilla. It's not surprising that dancing features in 3 of the films and ABBA in 2, and that there are a lot of bar scenes.
2 more films I want to copy for her: The Hard Word (Guy Pearce, Rachel Griffiths and Joel Edgerton are outstanding in this, with my favorite line being when Joel Edgerton says with relish, after he's asked if he enjoys being a bank robber, "Truthfully? I fucken LOVE it!") and Erskineville Kings, which I think is Hugh Jackman's finest work. And maybe some Secret Life Of Us, too. And The Nugget. Oh, and let's not forget The Castle. Hmm, and maybe there's room for some Kath & Kim, too.
My office mate might not understand it, but oh, the giggles I'll have!